Julie: Julia hi! Can you believe it -- the night is finally here?

Julia Roberts: I know, I know.

Julie: Your dress looks nice as well!

Julia Roberts: Thank you.

Julie: What did you guys do this morning?

Julia Roberts: We had breakfast with our family and 20)a bunch of friends.

Julie: And just kind of laid back?

Julia Roberts: Oh no. We were silly... acrobatics, and eight tons of bacon, and...

Julie: 21)Benjamin, I know what you love about this lady, it’s her 22)spontaneity. Has she prepared a speech tonight? Or is she going to fly 23)solo?

Benjamin Bratt: She never does, why would she start tonight? Which I find kind of amazing, giving the things that come out of her mouth sometimes. She’s quite herself.

Julie: I can’t believe, you look gorgeous! But you usually don’t use a stylist, is this vintage? Or is it some creation that you found?

Julia Roberts: Ah no, this is vintage Valentino.

Julie: Well, I wish you a lot of luck, and thank you so much for joining us.

Julia Roberts: Thanks for having us!

Julie: You’re welcome.

Jim: Sting is here to perform his Oscar nominated song from The Emperor’s New Groove. Now you came here with two of your six children, I know your family is very important to you, did you make this film in part because of your kids?

Sting: Yeah, I think you often do things to be cool in the eyes of your children. And I think I’m winning that battle.

Jim: Now Phil Collins and Elton John have both crossed over from pop to the Academy Awards for animated films, are you feeling lucky tonight?

Sting: No, I’m actually not feeling terribly lucky tonight. I don’t think I’m going to win. But I’m here to sing the song, and I want people to know. “You know, we should’ve voted for that sing, ‘cause he can sing.”

Jim: What makes the difference between a great movie song and a great song?

Sting: I don’t think there’s any difference, I think a great song is a great song. You know, the 24)context is all the same.

Jim: Best of luck to you tonight, Sting.

Sting: Thank you.

Jim: Thank you.

Sting: Have a good one.

Julie: How does it feel to be in the highest grossing, foreign language film of all time?

Michelle Yeoh: I feel(s) wonderful.

Chow Yun Fat: So do I.

Michelle Yeoh: Yeah.

Julie: When you were making this, did you know that you were making something very special?

Michelle Yeoh: We knew we were doing something very special. I think all of us really looked forward to working with Ang Lee, and then also taking a 25)genre that we know so well to the rest of the world. But I think all the elements came together with the Best Actor, the Best Producing Team, you know the music, the director of photography, and then a wonderful director like Ang Lee.

Julie: Tell me this, how hard was it to learn how to fly?

Chow Yun Fat: She always get used to it, but for me it was the first time hanging in the air, 100 feet away,it was like riding a 26)roller coaster.

Julie: So a lot of physical training went into this role?

Chow Yun Fat: Uh, yes, yes ma’am.

Julie: Good luck tonight. Thank you so much for joining us.

Chow Yun Fat: Thank you.

Julie: And checking the clock, we are about sixteen minutes away before the curtain goes up, on the 73rd Academy Awards. And as always the red carpet is a 27)showcase of 28)sumptuous style, and now here’s Steven Koochiekaro to give us our first 29)exclusive 30)recap of the brilliant creations that are turning heads here on the red carpet. Steven, what do you think?

Steven: Turning heads indeed, the stars have out-done themselves yet again.

Julie: They have.

Steven: Let’s take a look. Goldie Hawn, still 31)vamping after all these years in that body hugging Vera Wang.

Julie: Unbelievable.

Steven: That’s an advertisement for sit-ups, if you ask me. Winona Ryder, 32)funky and yet formal at the same time. I like the shredding at the bottom of her dress. Looking absolutely beautiful. Joan Allen, polished in Michael Course, the dress actually has real coral beads on it, there’s a fact!

Julie: Wow!

Steven: Catherine Zeta-Jones, pure Oscar perfection. I’m having a fashion heart attack. Movie star, smoldering. Sting, I like that he did kinda Cary Grant, old Hollywood classic, and absolutely, and

beautiful. Joaquin Phoenix, kinda did a new twist on it. He’s in Armani, but I like the long tie. He’s young, he can pull it off. Angelina Jolie, very simple in a Golchen Gavanna 33)tux, but really beautiful. Where are the 34)tattoos?

Julie: I don’t know.

Steven: I wanna see ‘em! Ashley Judd, with Shane Armani, went for a kind of “35)flapper” feel, she looks like she could dance all night. Does she need a partner? Hillary Swank, phenomenal! Shimmering in Versace, very Marilyn Monroe, and “36)Happy birthday, Mr. President!”

Julie: Look at her!

Steven: Halle Barry, 37)luscious and soft, in Babs Minish but not that soft, look at all that skin! She looks like she’s been 38)exfoliating for the last six months.Hot! Russel Crowe, going for something a little different in Armani. I actually heard he was going to wear the little leather skirt from Gladiator, but he nicked his leg shaving this morning.

Julie: Oh, too bad!

Steven: Ouch bloody! And Samuel L. Jackson, Mr. Cool himself, in Armani. He wanted to be Shaft goes to the Oscars. He got it!

Julie: He got it. What would you say is the fashion trend tonight for the ladies?

Steven: Skin, nature’s fabric.

Julie: And for the men?

Steven: For the men, a traditional mixes with some envelope pushers.

Julie: Great! Thank you so much, Steven!

Steve Martin (MC): Thank you very much. Thank you very much. You know, when they asked me, back inJanuary, if I would host the Oscars, the first thought that came into my mind was, would there be enough time for my face lift to heal. And right now, all over the world, there are eight hundred million people watching us right now. And everyone of them is thinking the exact same thought - that we’re all gay. But that is what is great about show business, it’s a tolerant business. It’s the most tolerant in the world. You have black people, white people, Asians, 39)Hispanics, Jews, Christians, all working together. All because of a single common love: 40)publicity. People say to me, “Steve, you’re a Hollywood actor, you must be so separated from the world. How do you keep in touch with ordinary life?” Well, it is possible, and it can be done. Like the other day I was having dinner at my house with 41)Mel, 42)Julia, 43)Tom and 44)Gwyneth. Now, earlier Mel had called and wanted to bring a friend, you know, some guy who helps children. And I said, “Mel, let’s just keep it names above the title.” And he understood and he was fine with that. And then Tom said, “You know, you just can’t get 45)decent sunglasses anymore.” And Julia said, “Well there’s a great sunglasses shop in Beverly Hills.” So I said to Tom, “You know, the next time you have your driver 46)drop your kids off at school, why don’t you have him pick you up a pair of sunglasses?” And Tom said, “Well, I drop my kids off at school.” And I said, “What?” And then Tom said to Gwyneth that he loved Shakespeare In Love, and then Gwyneth said to Tom that she loved Cast Away, and then Julia said to Mel that she loved What Women Want, and Mel said to Julia that he loved Erin Brockovitch, and then it was late and they all went home. And I thought, this is what I’ve always dreamed about: dinner at home with friends where we discuss the arts. So I’m pleased to introduce our first presenter, one of the stars of Traffic, Catherine Zeta-Jones.

Catherine Zeta-Jones: Good evening. Centuries before man knew how to count the years, he knew how to draw pictures. Cavemen illustrated their walls with their dreams. Today’s dreams are projected on the walls of 47)multiplexes, illustrated by

the movies’ art directors, whom we now honor. For Best Achievement in Art Direction, the nominees are: Tim Yip, whose designs provided the perfect setting for blending fantasy and legend in Crouching Tiger, Hidden Dragon. Michael Corenblith for the art direction, and Merideth Boswell for the set decoration of that Yule-tide Tale of Dr. Seuss’ How The Grinch Stole Christmas. Arthur Max for the art direction, and Crispian Sallis for the set decoration that depicted the glory of the Roman Empire in Gladiator. Martin Childs for the art direction and Jill Quertier for the set decoration of the pained and 48)turbulent life of the Marquis De Sade in Quills. And from a different page in French history is the art direction of Jean Rabasse and the set decoration of Francoise Benoit Fresco that captured the 49)culinary perfection of Vatel. And the Oscar goes to Tim Yip for Crouching Tiger, Hidden Dragon.

Russel Crowe: Good’ay folks, how ya doing? On this list of nominees are the people that have thrilled me, astounded me, and protected me. I have a great deal of respect for the men and women that do this job. And it’s my privilege to read the nominations in the category of editing. For Almost Famous, Joe Hutshing and Saar Klein; for Crouching Tiger, Hidden Dragon, Tim Squyres; for Gladiator, Pietro Scalia; for Traffic, Stephen Mirrione; for Wonder Boys, Dede Allen. And the Oscar goes to Stephen Mirrione for Traffic.

Chow Yun Fat: Create a cheering crowd in an ancient Roman 50)arena, make a man turn from skin to bones, or fashion a stone swept ocean. In the world of visual effects, anything is possible.

Michelle Yeoh: That’s right. Even the laws of 51)gravity can be defied in this world. The nominees for Best Achievement in Visual Effects are: Today the 52)coliseum of Rome stands in ruin but in the hands of nominees, John Nelson, Neil Corbould, Tim Burke, and Rob Harvey, the beauty and majesty of this ancient arena was restored to its original glory in Gladiator. In Hollow Man, Kevin Bacon plays a doctor who takes his own medicine. (Off screen voice: “I’m starting to feel something.”) Nominees: Scott E. Anderson, Craig Hayes, Scott Stokdyk, and Stan Parks used texture mapping and computer animation to slowly turn the visible into the invisible. And it was a perfectly nice day, when the Andrea Gail set out to sea, only to run into the awesome special effects of nominees -- Stefen Fangmeier, Habib Zargarpour, John Frazier and Walt Conti who did indeed create The Perfect Storm.

Chow Yun Fat: And the Oscar goes to... I knew it... your turn.

Michelle Yeoh: Right, go and announce it.

Chow Yun Fat: Your turn.

Michelle Yeoh: And the Oscar goes to Gladiator -- John Nelson, Neil Corbould, Tim Burke, and Rob Harvey.

Jenifer Lopez: And the Oscar goes to Bob Dylan for Things Have Changed from Wonder Boys.

Angelina Jolie: And the Oscar goes to Benicio Del Toro for Traffic.

Hilary Swan: And the Oscar goes to Russel Crowe in Gladiator.

第七十三届奥斯卡颁奖晚会

朱丽：大家好，我是朱丽·莫兰。第三十七届奥斯卡奖颁奖晚会将要揭幕，倒数计时已经开始。现在与我们一起去会一会明星们，访谈奥斯卡奖提名者，并与《人物》杂志的时装编辑史蒂文·库奇卡罗一起评点美丽的时装。看看这些人，那是一个影迷的好莱坞梦实现了。今晚是影坛盛事，除了凯瑟琳·泽塔-琼斯和迈克尔·道格拉斯，还有谁能更好地代表好莱坞呢?

朱丽：欢迎，欢迎来到颁奖前花絮。你们俩双双参加了《毒品网络》的演出，但没有在同一幕里出现。你们以后还有再合作的计划吗？

凯瑟琳·泽塔-琼斯：有的，我们现在就在物色。我们已经准备好了一个剧本。很快我就会和丈夫一起拍戏了。

朱丽：好。你正与朱丽娅·罗伯茨一起拍戏。这周你们有没有在片场研究时装？

凯瑟琳·泽塔-琼斯∶事实上，我们这周刚拍完那部电影，她看起来总是那么美丽。我为她感到很开心。我希望今晚她会大获而归。

朱丽：迈克尔，你曾九度颁奖，凯瑟琳颁过两次，你今晚有没有给她传授一些经验？

迈克尔·道格拉斯：她不需要传授什么经验，她自己做这些是轻车熟路。她很幸运，是今晚的头一名颁奖人，后面就可以轻松地欣赏晚会了。

凯瑟琳·泽塔-琼斯：我是第一个颁奖。

朱丽：太棒了。

克里斯∶他来自奥克兰，自小是个曲棍球迷，今晚他企图刷新纪录：三度问鼎奥斯卡影帝宝座。他就是你所能想到的最才华横溢的演员之一--汤姆·汉克斯，今年因《荒岛余生》而被提名。我们且看看朱丽，因为她现在正与汤姆·汉克斯一起。

朱丽∶我正置身于…… 他们来了！我跟你说…… 看呀。我们差点就访问不成你了，我是说我几乎是强行把你们从红地毯上拉下来的。

汤姆·汉克斯：一切还尽在掌握中。我们一早离开家，我们还觉得赶得够快的……

朱丽：结果却还迟到了。我问你：当你在《女朋友》中女扮男装时，可曾想到会踏上这红地毯，第五次接受提名？

汤姆·汉克斯：我可不知怎么回答才好……不，我当时以为还会四处问人们是否要盖子呢。你知道，我那时就是这么想的。

朱丽∶丽达，我们总是评论你有多美，现在我们来评一评汤姆。他今晚怎样？

汤姆·汉克斯：朱丽，这领结今晚会让我发疯的，因为它总是歪到一边。

朱丽：你看起来很精神。

汤姆·汉克斯：谢谢。

朱丽：祝你们有个美好的夜晚。非常感谢，愿你好运！

克里斯∶她是唯一同时拥有卖座电影和热销唱片的女性。如果让我来说，我一定会选你--詹妮弗·洛佩兹--你再次成为了红地毯上的女神。

詹妮弗·洛佩兹：哦。谢谢。

克里斯：你今晚是怎么挑选出这套光彩夺目的服装的？

詹妮弗·洛佩兹：我总临时抱佛脚，这真要不得。

克里斯∶不会，那使你更具随意美了。

詹妮弗·洛佩兹：你知道，我总是在最后时刻喜欢什么便选什么穿。我就是这个样。

克里斯∶它看起来太漂亮了。你是否希望能在这里见到许多朋友？你大可趁机和他们寒暄一番，不是吗？

詹妮弗·洛佩兹∶是的，我是说，这儿人真多，每次人群发出尖叫声，你就会想，谁来了？谁来了？你知道。噢，有安芝莉娜·祖莉，有凯特·赫德逊。真快活，是吧？

克里斯∶祝你玩得开心。见到你真高兴。让我们看看后台的吉姆·莫利吧。