PART II PROOFREADING & ERROR CORRECTION
The following passage contains ten errors .Each line contains a maximum of one error. In each case only one word is involved. You should proofread the passage and correct it in the following way:
For a wrong word, underline the wrong word and write the correct one in the blank provided at the end of the line.
For a missing word, mark the position of the missing word with a "^" sign and write the word you believe to be missing in the blank provided at the end of the line.
For an unnecessary word, cross the unnecessary word with a slash "/" and put the word in the blank provided at the end of the line.
EXAMPLE来源:考试大
When ^ art museum wants a new exhibit,
(1) an来源:考试大
it (never/) buys things in finished form and hangs
(2) never来源:考试大
them on the wall. When a natural history museum
wants an exhibition, it must often build it.
(3) exhibit来源:考试大
The grammatical words which play so large a part in English
grammar are the most part sharply and obviously different from
the lexical words. A rough and ready difference which may
seem the most obvious is that grammatical words have "less
(26)来源:考试大
meaning", but in fact some grammarians have called them
(27)来源:考试大
"empty" words as opposed in the "full" words of vocabulary. But
(28)
this is a rather misled way of expressing the distinction. Although a
(29)
word like the is not the name of something as man is, it is very
far away from being meaningless; there is a sharp difference in
(30)
meaning between "man is vile" and "the man is vile", yet the
is the single vehicle of this difference in meaning.
(31)
Moreover, grammatical words differ considerably among
(32)
themselves as the amount of meaning they have even in the
lexical sense. Another name for the grammatical words has been
(33)
"little words". But size is by no meaning a good criterion for
distinguishing the grammatical words of English, when we consider
(34)
that we have lexical words as go, man, say, car. Apart from
this, however, there is a good deal of truth in what some people
(35)
say: we certainly do create a great number of obscurity when we
omit them. This is illustrated not only in the poetry of Robert
Browning but in the prose of telegrams and newspaper headlines.
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